Production photos showing the set for Rough Crossing at the Lace Market Theatre, Nottingham. June 2018. Photos © Philip Hogarth.

Production photo and cast & crew picture showing the set for Rough Crossing at the Lace Market Theatre, Nottingham. June 2018. Photos © Philip Hogarth.

Set build for Rough Crossing at the Lace Market Theatre, Nottingham. June 2018.

1:25 model of my set design for the Lace Market Theatre's June 2018 production of Rough Crossing by Tom Stoppard.

Scenic art for Arletty Theatre's touring promenade show Stinxville. Backcloth for the Wicked Tailor's Shop scenes. October 2017.

Design sketches for Arletty Theatre's touring promenade show Stinxville. These sketches were for the backcloth used in the Wicked Tailor's Shop scenes. August/September 2017.

Design sketches for Arletty Theatre's touring promenade show Stinxville. These sketches were for the Courtroom scene's backcloth. August/September 2017.

Rehearsal images from The Dead Sea by Louise White Theatrician at Departure Lounge Festival, Derby Theatre, in July 2017. Set as designed and built for the work-in-progress performances. The project will continue to be developed throughout 2017.

Design process images: concept art, sketchbook work, modelmaking and set building details for The Dead Sea by Louise White Theatrician. Set design for work-in-progress shows at Departure Lounge Festival, Derby Theatre and at Attenborough Arts Centre in July 2017. The project will continue to be developed throughout 2017.

The Carrot Nappers set after the get-in at Lee Wood Hotel in Buxton. July 2017. Photographer: Emma Bailey.

Production still from The Carrot Nappers, performed at Lee Wood Hotel, Buxton as part of the 2017 Buxton Fringe. Set detail and newspaper prop. July 2017. Photographer: Emma Bailey.

Keith Large (writer, The Carrot Nappers) with the giant carrot promotional prop I made for the Festival Parade at Buxton. July 2017. Photographer: Emma Bailey.

The unfinished set during a rehearsal at Shardlow village hall. July 2017.

Prop-making: Sewing runner beans for The Carrot Nappers set! June 2017.

Prop-making: Runner bean leaves for The Carrot Nappers set. June 2017.

1:25 set model variations/details for The Carrot Nappers by Keith Large. April 2017.

1:25 set model for The Carrot Nappers by Keith Large. April 2017.

Production photos from Arletty Theatre's musical touring play Quilter and the Ghost. February/March 2017. Photos © Arletty Theatre/Imogen Joyce.

Scenic art - long case clock detail - for Arletty Theatre's new musical touring play Quilter and the Ghost. February/March 2017.

Scenic painting for Arletty Theatre's new musical touring play Quilter and the Ghost. February/March 2017.

Scenic painting for Arletty Theatre's new musical touring play Quilter and the Ghost. February/March 2017.

Scenic art design for Arletty Theatre's new musical touring play Quilter and the Ghost. January 2017.

I painted a large book spine for Linda Croston's set for Brontë at the Lace Market Theatre in November 2016.

Birth certificate and baby identification wristband props made for Just Cuckoos, performed by the Emerging Perspectives company (supported by New Perspectives Theatre) in summer 2016.

Letters and other document props made for Just Cuckoos, performed by the Emerging Perspectives company (supported by New Perspectives Theatre) in summer 2016. The baby shawl was sourced from a local company - G H Hurt & Son, a family business established in 1912 in Nottingham.

Scenic art for Fishhouse Theatre's show Cloaks, first performed at Attenborough Arts Centre, then at the Buxton Fringe Festival, July 2016. Photographer: Charlotte Bond

Scenic art for Fishhouse Theatre's show Cloaks. July 2016.

Scenic art study for Fishhouse Theatre's show Cloaks. June 2016.

Scenic art and model details from my set for Betrayal at the Lace Market Theatre, June 2016.

1:10 painting reference for my design at the Lace Market Theatre. June 2016.

1:25 design development models and 1:10 painting reference for flats. Lace Market Theatre, June 2016.

I made this dog skull for Mansfield Palace Theatre's Senior Youth Theatre show 'Much Ado in Hippolyta Heights' - Feb 2016

Miner's banner I painted for the Lace Market Theatre's Nov 2015 production of The Pitmen Painters by Lee Hall.

Design studies for the backcloth in The Unfurling of Indigo Higgins - Arletty Theatre's new musical about magic, body image and the glittering world of fashion. Watercolour, watercolour pen, pencil, felt tip.

My set design for Bedroom Farce at the Lace Market Theatre, Nottingham, Feb 2015. Lighting Design: Ben Walker.

Model of my final design, and set build in progress, for the Lace Market Theatre's Feb 2015 production of Bedroom Farce by Alan Ayckbourn.

Plan drawing (printed at 1:50) of final set design, with key measurements shown. This plan was used during the get-in.

Model of my final design for the Lace Market Theatre's Feb 2015 production of Bedroom Farce by Alan Ayckbourn.

Model of my final design for the Lace Market Theatre's Feb 2015 production of Bedroom Farce by Alan Ayckbourn.

'Little Indigo' puppet in action! Made for the scratch performance of Arletty Theatre's The Unfurling of Indigo Higgins, November - December 2014.